Alternate Steele

Twenty two year old Laura Holt frowned as she hung up the telephone. Why on earth did she even bother trying to talk to her mother? She would never understand Laura's living with a man who wasn't her husband - even if that man was an up and coming banker. "With his reputation to consider, you'd think he would at least have the decency to marry you, Laura," Abigail Holt had said.

"But I don't WANT to get married, Mother," Laura had replied, drawing another gasp of anger over the line. "I'm having too much fun."
"That's all you think about, isn't it? Just like your father. Really, Laura, I -"
That's when Laura had hung up the telephone with a decided "Click!" and then unplugged it from the wall. That would stop her mother from calling back for awhile, she decided.
Glancing at the clock, Laura realized that Wilson would be home soon, and she wanted to be ready for him. They were scheduled to go to Acapulco in two days for a banker's conference that Wilson had told her could make or break his career. So she had to be on her best behaviour. Laura made a face at the thought of having to pretend to be staid and proper, and then smiled.
If she was going to have to be so circumspect next week, then she was going to be a temptress tonight. She removed her shirt, then her jeans, leaving them laying on the floor where they fell. She padded barefoot to the dresser, where she found a scrap of silk, then went into the bathroom for a quick shower.
###

She was waiting on the sofa, two glasses of Wilson's favorite wine poured and ready, a fire lit in the grate, when she heard the door open. She waited for the sound of Wilson's briefcase being put on the table, then rose slowly, holding the two glasses of wine. "Hello there, big-" she faltered upon seeing that Wilson wasn't alone. "boy."
Blue eyes glittered as they took in the brief teddy that barely covered Laura's body, and a dark brow lifted in silent appreciation. Wilson laughed nervously. "Laura - "
She emptied a glass of wine, then ran from the room toward the bedroom to put some clothes on. Wilson might at least have let her know he was bringing someone home from the bank. Although, the man with him hadn't looked in the least like a banker. More like an actor, all that dark hair, those blue eyes- Laura paused as she stood before the mirror. She'd seen open admiration, before, but something about the look in those eyes had set every nerve in her body on full alert.
"Laura -"
She whirled to find Wilson Jeffries standing in the doorway. "You couldn't have called to let me know -"
"I didn't know until the last minute, Laura. And then I tried, but there was no answer."
Laura sat down, remembering that she'd unplugged the phone. "Mother called," she told him. "I didn't want to talk to her again. So I- unplugged the phone."
"What if I'd needed to get in touch with you for something important, Laura?" Wilson asked, sounding a little frustrated. "We have a guest out there-"
She nodded, trying to find her shoes. "Who is he?"
"A reporter. He's here to interview me about the art exhibit at the bank. From a London newspaper."
"London?"
Wilson nodded, excited, as he checked his hair in the mirror, then straightened his tie. "Mr. O'Leary. Michael O'Leary."
"If he's here to interview you, then I'll just sneak out -"
"We're having dinner together," he told her. "All three of us."
Laura swallowed. "I'm sorry, Wilson. I just - thought -"
"No, you didn't, Laura. You didn't think at all. Are you ready?"
She nodded, and let him lead her back to the living room, where Michael O'Leary was standing, looking at the view of the city from the apartment window. Upon their entrance, he turned his head, and Laura could see the assessing look in his eyes as they swept over her, knew he was vividly recalling the earlier view he'd had of her body, and she felt her cheeks begin to redden in a blush. "Mr. O'Leary. I'm Laura Holt. I'm sorry about -"
He smiled at her, taking her hand. "You've nothing to apologize for, Miss Holt," he said in a voice tinged with an Irish accent. "Nothing at all." His blue eyes left little doubt as to his meaning, and Laura felt her throat tighten slightly. She hadn't imagined her response to him. If she'd met him anywhere else except with Wilson, she thought, she would have -She shook her head to clear it..
"You're Irish?"
"Apparently," he told her, accepting the glass of wine that Wilson had poured for him.
"Thank you, Wilson. You're a very lucky man," he told the banker.
"I think so," Wilson said, putting an arm around Laura. "Do you want to do the interview now or wait until after dinner?" he asked.
"Oh, I think I can wait," he said, but his eyes were on Laura, who downed another glass of wine. "Where shall we go?" he asked. "Since I'm new to your fair city -"
Wilson suggested a restaurant that he considered suitable, and then picked up the telephone to call for a reservation. Grimacing at Laura, he knelt to plug in the line, then dialed the number. Laura refilled her glass of wine. "What exactly are you going to interview Wilson about, Mr. O'Leary?" she asked.
"Please, call me Michael," he said quietly. "Wilson is in charge of security for the exhibit of British artwork at the bank. I'm here to cover the exhibit, but I thought a side bar about the security arrangements might be a nice addition to the story."
"I didn't think there was anything particularly valuable in the collection," Laura commented, the wine she had drunk on an empty stomach was making her a bit light headed, and she sat down quickly before she embarrassed Wilson further by falling into the handsome reporter's arms.
"There are one or two pieces that would bring a hefty price on the market," he told her, sitting down beside her. Close beside her. So close that Laura could smell his aftershave, could feel the heat from his body. She fought for a breath, then another. It wasn't working. Another glass of wine bit the dust as Wilson turned back to them.
"We're all set. Twenty minutes. Gives us just enough time to get there," he told them. "Ready, Laura?" he asked.
She nodded jerkily, then looked up to see Michael O'Leary's hand extended toward her, offering her a way to her feet with some modicum of grace. She took the hand, and almost gasped at the tingling that went all the way up her arm. "Thank you, Michael," she managed as her eyes met his. Did he know the effect he was having on her?
"My pleasure, Miss Holt."
"Laura. My name's Laura," she told him as he led her over to Wilson, who was waiting with her coat. Wilson shook his head as he took the empty glass from her hand and put it onto the table before helping her put on the coat.
"Shall we go?" Wilson asked, opening the door into the hallway.
Laura followed Wilson to his car, then got into the passenger side. "Where are we going, Wilson?' she asked, trying to ignore the way the car seemed suddenly filled with Michael O'Leary's cologne. It was expensive. She knew that. Something that Wilson would never wear, but which seemed a part of the man sitting behind Wilson in the back seat.
She didn't hear Wilson's reply to her question as she tried not to look at the man, tried to keep her attention focused on the traffic outside the vehicle, on road signs, anything except for those blue eyes. Wilson drew up before La Maison and Laura swallowed. "I'm not dressed to come here, Wilson," she protested, looking down at her slacks and sweater.
"Nonsense, Laura," Michael said encouragingly. "You look fine."
Was she ever going to be able to draw an easy breath this evening? Laura wondered as she felt herself gasping once again for air. Wilson offered her his arm, and Laura took it, knowing that if she didn't find something to support her soon, she'd be on the ground. "All they can do is refuse to serve us," Wilson muttered. "Really, Laura, you'll never learn that you need to dress better, will you?" he said close to her ear. "I have a reputation to
maintain, remember?"
"How was I supposed to know we were coming here?" she asked. "You should have told
me-"
Wilson shook his head as the mai'tre'd approached. "Keep your voice down," he admonished, then turned to smile at the man. "Jeffries. Party of three."
Laura looked up to find those blue eyes on her again, and saw the laughter hidden deep in them as well. Her own natural sense of the ironic came to the fore, and she returned the smile as Wilson drew her with him to follow the mai'tre'd to their table. He head lifted, and she ignored the looks that were sent her way. She had as much right to be there as any of those decked out women. She found herself seated between the two men. The waitress came to take their drink orders, and Laura said, "White wine."
Wilson sighed. "Coffee, please. For me as well. Michael?"
"I'll have some wine," he said after a moment's hesitation.
"I'll be right back," the waitress promised.
"So, Michael," Wilson began, seeing Laura sit back and close her eyes. "Exactly what do you want to know for the article?"
"Oh, who you've hired for security, what sort of set up you've done to insure the paintings won't be stolen."
Laura let his soft voice wash over her, then froze as she felt something on her leg - her eyes opened, going to Wilson first. He was talking to Michael, his voice earnest, explaining that he'd hired one of the city's best security firms to take care of everything.
Wilson wasn't touching her. She was sure of that. So her gaze moved to Michael O'Leary. He rearranged his silverware, his blue eyes on the tablecloth - until he felt her gaze, and he looked up at her. The smile was still there, hidden more deeply, yes, but for some reason, Laura could still see it. She should be angry, she supposed. This man was playing "footsie" with her- and her boyfriend was at the same table. She should tell him to stop, move her legs, something. But she couldn't. The nerve of the man. She'd never met anyone quite so brazen. Or quite so handsome, she told herself. God, but he was drop dead gorgeous.
 
The waitress brought the drinks, and Laura made a face as she saw the wine sitting before Michael, then lifted her cup of coffee. The mai'tre'd approached the table. "There is a telephone call for you, Mr. Jeffries."
"Probably Mr. Dutton," he sighed, "Wanting to know how the interview is going. I left a message we were coming here on my service," he explained. "I'll be right back."
Alone with Michael O'Leary, Laura wished for something stronger than the coffee before her. "You've got a lot of nerve, Michael," she said.
"Yes. I do." He slid an arm along the back of the seat toward her. "Are you planning on marrying Wilson?"
"We've-discussed it," she said quietly. "If it's any of your business."
Michael touched a strand of her hair as it lay on her shoulder. "I'd like for everything you do to be my business," he told her. "And have you set a date for wedding?"
"We have an - understanding," she said. "I think Wilson wants to turn me into the perfect banker's wife before taking that step."
"And what do you want, Laura?" he asked.
"For things to stay like they are now."
"I don't believe that. You're bored. Need something other than planning romantic evenings to keep your mind occupied."
Laura blushed again, hating that she did it at all. "I wasn't expecting Wilson to bring anyone home."
"That was obvious," Michael said with a smile. "And you know something? I don't think you're sorry about it at all." Laura looked at him, surprised, about to protest, when he continued. "Oh, I think you were embarrassed, but I don't think you're sorry that you shocked someone."
Laura couldn't stop her own smile. "I must have looked -"
"Beautiful," he told her. "Absolutely beautiful."
Laura found herself gulping for air once more as she met those blue eyes, and when Michael pressed the glass of wine into her hand, she lifted it to her lips and drained it, holding it out for him to take back as she saw Wilson returning.
He was frowning. "It was Margie in accounting. They have a little problem - I need to go to the bank -"
Michael saw his uncertainty. "Why don't you go on? Laura and I will have dinner and I'll see her home. We can reschedule the interview for tomorrow morning. Since the exhibit opens tomorrow afternoon, you'll be able to show me the security system that's been set up."
Wilson looked apologetically at Laura. "Would you mind, Laura? I don't know how late I'll be- an accounts receiveable problem- and you know how hard those can be to track down."
 
She nodded. She'd done a stint as a bank teller - that's how she'd met Wilson to begin with.
"I'll be fine, Wilson," she assured him, not meeting his eyes. "I'm sure Michael will take very good care of me."
"You can be certain of that, Wilson," Michael assured the banker.
"Look, just put the dinner on my tab. Just sign my name." He gave Laura a quick kiss on the cheek. "I'll see you later."
Once he was gone, Laura found herself playing with the silver, suddenly nervous to be alone with the handsome Irishman. "I'm not really very hungry," she began, starting to rise, only to have Michael pull her back to the seat, closer to his side than before.
"I am. And as much as you've had to drink, I think it a very good idea that you get some food into your stomach. Do you normally drink so much?"
She shrugged. "What difference does it make?"
He picked up her hand as it picked at the tablecloth and brought it to his lips before putting it around the coffee cup. "Drink. You need to sober up a bit. What do you want to eat?" he asked, picking up a menu.
"Salad," she told him. "I'm not much for meat."
"Salad it shall be, then," he agreed, deciding what he wanted as the waitress returned with fresh coffee and another glass of wine to take their order. He sipped the wine, noticing Laura's glances at him as she drank her coffee. "If you eat all of your salad," he told her, a twinkle in his eyes, "you'll get a treat."
"I'm not a child," she muttered.
"No. You're not," he agreed, reaching out to take her hand in his once again. "You're a very beautiful young woman. And no matter how hard you try to hide your intelligence, it shows in your eyes."
"I don't try to-" she began, then stopped. "Well, maybe I do. I discovered in college that men don't usually like brainy math majors."
"That's their loss," Michael told her as their food arrived.
Laura put a fork into her salad, watching him start to eat the veal ricotta. "You don't look like a reporter. And you haven't written anything down - every reporter I've ever known kept a notepad or tape recorder close by."
"I have an excellent memory," he told her, taking a sip of the red wine which the waitress had brought. "Almost photographic," he said, smiling.
"What paper do you work for?"
"The Times," he said. "Why all of the questions, Laura? You sound like a detective."
Now it was Laura's turn to smile. "Do I? I was just- curious -"
"As I am about you. What do you do besides plan romantic evenings for Wilson Jeffries?"
There was that blush again, and Laura took a deep breath. "Nothing much. I used to work as a teller at the bank -"
"But you don't anymore? Why not?"
"Wilson didn't think it was a good idea for me to be working there when he's a junior vice president."
"So you're a lady of leisure, then."
"Some leisure," Laura said, picking at her salad. "The gym, tennis,-I'd rather have something challenging, exciting to do -"
Michael looked at her, saw the longing in those brown eyes for more than she had now. Excitement, challenge, the need for something more to life than simply playing house with Wilson Jeffries. "Then why not go out and find it?" he suggested. "You're intelligent, intuitive - What is the one thing you've always wanted to do but haven't had the courage to pursue?" he asked, those blue eyes boring into hers.
Laura's dimples appeared. "You'll laugh if I tell you."
"Not at all," he assured her.
"I'd thought about trying to get my private investigator's license," she told him, watching is reaction carefully.
"Rather a rough and tumble occupation for such a well bred young woman, wouldn't you say?"
"I don't think it's as rough and tumble as it's made out to be. I think there's more brain than brawn to the job. And I'd LOVE to be able to prove it," she said with a deep sigh.
"Then why don't you?" Michael asked, finishing the wine.
"Because I haven't found an agency willing to hire me as an intern," she told him. "Every time I apply, the find an excuse not to hire me. From, 'sorry, we've got all the interns we can train at the moment', to 'not interested'. They think that just because I'm a woman I can't handle the job."
"All those bullets and fists flying about-"
Laura laughed softly. "Where did you get your ideas about private detectives?" she asked, shaking her head.
"Your cinema gives a rather graphic representation," he told her.
"It's not that way at all," she assured him. Another sigh. "But I doubt I'll ever be able to do it. I, mean, can you imagine Wilson's reaction if I told him I was going to be a P.I.?"
"Not precisely the image of a staid banker's wife, is it?"
Laura's eyes met his, then fell. "No. And Wilson so wants me to be that image."
"Do you think you can do it? Spend your days with bridge clubs and tennis pros, drinking to keep the real you at bay?"
"And what is the real me, Michael?" Laura asked.
"I think Laura Holt is a free spirit, uninhibited, who would rather die than be tied up behind a white picket fence playing house with someone who doesn't appreciate her for what she is. Someone who wants to see the world, who yearns for the excitement that is sadly lacking in her life." He watched her reactions play across her face. "Am I wrong?"
"No. No, you're not. But no one's ever taken the time - except my father -"
"And what does he say about your desire to become a dick?"
Her smile this time was tinged with sadness- and something else that Michael couldn't quite identify. "I have no idea. I haven't seen my father in six years. He - left when I was sixteen."
Michael suddenly understood that look. He'd seen it in his own eyes more than a few times. He felt a connection to the young woman before him. Something he could never remember feeling before. He knew what his mentor, Daniel, would tell him in this situation. That he couldn't afford the distraction of Laura Holt. That he was here to do a job, and that if he wasn't careful, he would make a mistake - and in his line of work, mistakes could be dangerous.
But there was something about Laura, something that told him he had to help her break away from her boring existence, perhaps even take her into his world. She wanted excitement? He could provide more than she wanted, in all probability.
The waitress cleared the table and brought a dessert menu. Michael looked at it. "Chocolate mousse," he told the waitress. "For two." He watched Laura's eyes light up like a child in a candy store. "I take it you approve of my choice?" he asked.
"Yes. I think choc-chocolate is my favorite thing in the entire world."
"Have you ever had real Swiss chocolate, Laura?" he asked, watching her as she shook her head. "There's a little shop in Bern that specializes in it. Row after row of chocolate, as far as you can see." Her eyes were glazing over, he realized, smiling. The dessert arrived, and he picked up his spoon, watching as she did the same, then waited to see her expression when she tasted the pudding. It was a look of pure, unadulterated pleasure, and for a moment, Michael found himself shaken to the very core of his being. He wanted this woman more than he'd wanted any woman in a long time. And not just in his bed. With him, always. Another of Daniel's rules popped into his head.
 
"Live for the day. The future may not come at all."
 
Michael had never really thought about the future. Certainly no further ahead than the current job. In his business, you had to be able to think quickly, keep moving. But Laura Holt made him think about the future, about someday settling down with her, perhaps in the villa near Daniel's in the south of France, perhaps even a child or two-
"Are you all right?" Laura was asking him, her brown eyes filled with concern as she looked at him.
Michael cleared his mind of the images he had conjured up and smiled. "I'm fine. Why shouldn't I be? I'm here, with a lovely lady, enjoying a delightful chocolate mousse. What more could I possibly ask for?" he said, attacking his own dessert with relish. A quick glance at Laura revealed that his words had caused her to blush again, and he found himself wondering if the blush continued over her entire body.

At the door to the apartment she shared with Wilson, Laura realized that she didn't have her keys. "I didn't expect to come home without Wilson," she explained. "And I hate carrying a purse -" She pulled a hairpin from her hair. "Oh, well. Keep an eye out for me, will you?" she knelt before the doorknob.
"Laura, what are you doing?"
"Picking the lock - I hope. I've been practicing, but-" she sat back, frustrated. "I think I need more practice."
Michael held out a hand. "Allow me," he said, taking the hairpin. "Watch the corridor, will you?" he asked, kneeling where she had been moments before.
"I'd rather watch -" the lock clicked, "you," she said, as Michael turned the knob to open the now unlocked door. "You're very good at that -" she commented, "for a reporter."
He returned the hairpin to her. "It comes in handy," he said, not entering the apartment.
"Good night, Laura-"
"Why don't you come in for a nightcap?" She suggested. "Maybe you and Wilson can finish your interview when he gets home- if he's not much longer."
"I don't think that would be a very good idea, Laura."
She looked up at him, her eyes shining in the dimly lit entryway. "Why not?"
Michael lowered his head slowly, giving her time to back away. But she didn't move away. She moved closer, meeting him halfway. When their lips met, Michael pulled her against him, holding her close. As the kiss ended, he looked down into her eyes. "That's why." He brought her hand to his lips. "Good bye."
"Wait a minute. That sounded awfully final."
"It might be for the best if it is," he told her.
"You're deciding what's best for me?" she said, angrily. "I might have known. You're just like all the others. You think I can't take care of myself, make my own decisions -"
Michael realized that her voice was carrying into the hallway, and closed the door behind him. "Laura, that's not what I meant at all," he told her, following her into the living room.
"Then explain what you DID mean," she challenged, coming around to face him.
"You don't know anything about me. About who I am, what I do -"
"Then tell me," she said, sitting down to look up at him.
Michael stood there, knowing that he was possibly destroying any chance to complete the job, that he would most likely have to leave Los Angeles tonight without what he'd come here for. "Your intuition was right about me. I'm not a reporter."
"I knew it," she said. "Sorry."
"I'm here to retrieve a painting stolen from an English Duke. It's part of that collection
that Wilson has set up security for."
"Then you're with Interpol or something like that?"
Michael smiled. It would have been very easy to lie to her again, tell her, yes, that was it exactly. But he couldn't. "No. I've no legal standing, Laura, only the offer of a hefty finder's fee should I return the painting to its rightful owner."
"You're a thief."
"An artist," he corrected, watching as she rose to pace the room. She was holding his life in her hands, now. One word, and she could bring him down.
"That's why you wanted the security information. Are you still going to steal it?"
"That depends on you," he told her. "On whether you decide to turn me in."
Laura took a deep breath. A real, live, art thief. Standing in her living room, telling her that he was going to steal a painting - and giving her the choice of what to do. "I should tell Wilson, I suppose," she said.
"Are you going to?" he asked, and when she didn't answer, he crossed to the room to pull her to face him. "Laura-"
She slid her arms around his neck. "I haven't made up my mind what I'm going to do, yet. I need to do some more investigating," she told him, pulling his head back down to hers.
They were still locked in each others' arms when Wilson's voice broke in. "What the hell-?"
Michael took a moment to compose himself, but Laura turned immediately to face Wilson. "Wilson. I didn't expect-"
"Obviously," he said.
"Wilson," Michael began, "it was my fault. I'll go-"
"I know Laura too well for that, Michael. But I never thought she'd go this far-"
"Look, Wilson-"
"You were right, Michael. You'd better go. I'll call your hotel tomorrow about the interview."
"Wilson -" He didn't want to leave Laura here to fend for herself.
"Go on, Michael," Laura told him at last, her eyes giving him a silent message that assured him that his secret was safe with her. "Go and do your job. I'll be fine. I'm a survivor, right, Wilson?" She wrapped her arms around her waist and moved toward the window.
"Good night, Wilson," Michael said, "I'll call you -"
"Yeah." He showed Michael to the door, then returned to the living room. "Now. It's late, and I need to get some sleep."
Laura turned, disbelief on her face. "That's it? You come in here, find me in the arms of another man, and you say it's time to go to sleep?"
Wilson turned to face her. "What do you expect me to do, Laura? It's over and done with, I'm willing to forget it-"
"And what if I'M not willing to forget it, Wilson?" Laura asked. "What if I LIKED kissing him?"
"Let's go to bed, Laura. We have to pack for Acapulco tomorrow -"
"No." She said it quickly, softly, but not so softly that Wilson didn't here her.
"No? You've been looking forward to going down there. You know how much you like Pepe's -"
"And if I go, I have to behave myself. Have to pretend to be something I'm not. I can't do that anymore, Wilson. I'm never going to be the perfect banker's wife, always knowing what to wear, what to say, how to act so not to embarrass you."
"Then you're not going to Acapulco?" Wilson asked.
"No. And I'm not staying here, either," Laura told him. "I'm leaving, Wilson."
He followed her into the entryway, watching as she put on her coat. "Where are you going?"
"I don't know. But I can't stay here anymore, Wilson. I need to make some changes in my life. And I need to do it NOW." She opened the door. "I'll be back tomorrow for my things."
"You can't - Laura - "
She closed the door and crossed to the elevator, pushing the button, half expecting Wilson to open the apartment door and come after her. But he didn't. The hall remained empty as Laura got into the elevator.

She came from the building and stood on the sidewalk, realizing too late that she hadn't brought her purse or any money with her. "Great, Laura," she sighed. "What are you going to do now?" And to make matters worse, the rain that had threatened all evening chose that moment to begin to fall steadily, soaking her in a matter of moments. A cab pulled up to the curb, and the rear door opened.
"Need a lift?" Michael asked.
Laura smiled and got into the car, closing the door behind her. "Thanks."
"What happened?"
"It's over," she told him.
"Just like that?" He noticed she was shivering, and put his arm around her, pulling her close.
"It's been coming for ages. I just didn't realize it. We were too different."
"Was he very angry?"
Laura shook her head. "He wasn't angry at all. He said he was tired and needed to get to
bed so we could get ready to go to Acapulco," she told him. "And I told him I wasn't going to Acapulco or anywhere else with him."
"He didn't mind walking in and finding you -"
"Apparently not." She snuggled against him.
"Where are you going to go?"
"I have no idea. I- managed to leave my purse and money in the apartment when I walked out."
Michael laughed softly. "If you're willing to accept it, I might know of a place where you could stay for the night -"
Her eyes lifted to his. "Really?"
"There's a homeless shelter just down the street, I believe. I can have the driver drop you off there -"
"You wouldn't -"
"Or you could come back to my hotel with me. Just to have a place to sleep, mind you. I won't make any demands-"
"But I might," Laura told him, turning more fully into his arms and pulling his head down to hers.
When the kiss ended, Michael lifted his head, his blue eyes dark and filled with humor. "So, I guess it's the homeless shelter?" he asked, then pulled her back into his arms as she would have spoken again.
###
He let Laura enter the room ahead of him, the hung out the "Do Not Disturb" sign before closing and locking the door. "First class, Michael," she said, surveying the room.
"Not as plush as some I've stayed in, but I've also stayed in worse." The air conditioning in the room was turned up, and he could see that Laura was shivering again. "You need to get out of those wet clothes," he told her, picking up a robe and handing it to her. "The bath is through that door."
Laura tossed the robe over her shoulder and opened the bathroom door, pausing for a moment to look back at him before going inside. Once the door was closed, she leaned against it, her legs giving way. In all of her crazy stunts, she'd never done something this crazy. Here she was, in the hotel room of an man she'd met only a few hours ago, a man who had admitted to being an international art thief. Alright. He was drop dead gorgeous, and treated her like a queen, but -what did she really know about him? He might be an axe murderer or something."
"Laura? Are you all right in there?"
"Yes," she said quickly. Her teeth were beginning to chatter, and she knew that she really did need to change clothes. So she stripped off her own clothing and put on the blue silk robe. It smelled of him, of his cologne, and Laura remembered her actions in the cab on the way here. How was she ever going to get out of having to sleep with Michael? Did she really want to get out of it? that was the real question. She ran her fingers through her brown hair, then took a deep breath before opening the door.
He was just closing the door, and there was a cart in the room. "I thought you might like some hot chocolate," he told her. "To help warm you."
Laura took the cup he held out to her. "I don't know if you're for real. Either you know all the right buttons to push - or-"
"Or?" he prompted, watching her with those blue eyes.
"Or you're the most wonderful man I've ever met."
Michael sat down in a chair near the bed. "And which do you think it is?"
Laura took a drink off the hot chocolate, closing her eyes as she savored the taste. "I don't know. But I think I'd like to find out."
"I won't be in town for long, Laura," he reminded her. "Once I've done what I came here to do, I'll be going back to London -"
"I see. When are you -"
"Tomorrow night. The exhibit opens tomorrow afternoon - and it will give me a chance to get a full layout of the paintings. That's if your friend Wilson doesn't decide to keep me out because of you."
"He won't. I don't think Wilson cares one way or the other," she said quietly.
Michael heard the pain in her voice, and held out his hand. "Come here, Laura," he said.
She took his hand and found herself in his lap, held lightly, her head on his shoulder. "I know you must have cared a great deal about Wilson -"
"I thought I was in love with him," Laura admitted.
"But evidently his heart wasn't as involved as yours was - or else seeing you with another man would have driven him insane with jealousy. I know it would have me." Laura looked up him.
"Really?"
"And I wouldn't have let you simply walk out of my life."
Laura finished her chocolate and put the cup on the table behind her before turning back to rest her head on his shoulder again. "Thank you."
"For what?"
"For taking care of me the way you have. For being here."
He touched her lips with his. "You need to get some sleep," he told her, rising with her still in his arms to carry her to the turned down bed. When he started to straighten, Laura's hands locked behind his neck.
"Where are you going?"
"To have a drink. And I have some more planning to do before tomorrow night."
"You don't have to leave," she told him, but her eyes were locked on the top button of his shirt.
Michael lifted her chin with his finger. "I would love nothing better than to stay right here, Laura. But I won't take advantage of you this way. You're hurting, and until you're ready, I won't make any demands on you that you don't want." He kissed the tip of her nose. "Now get some sleep. We'll go get your things tomorrow. Do you have a passport?" he asked.
She nodded. "I took a trip during college to Barbados. I got one then."
"Good." One less thing to worry about. IF she agreed to go with him, that was. She still hadn't settled that issue. Of course, he hadn't actually asked her, had he? He saw that fact in her expression. "Sleep. We'll talk later."
Laura waited until the door closed behind him, then settled into the pillows.

###
 
Michael went downstairs to the bar and ordered a gin and tonic, then sat there, trying to decide what on earth he was doing. He didn't need the complication of a woman like Laura Holt. She had 'commitment' written all over her. And Michael had always shied away from that word. He wasn't cut out for picket fences, for full time relationships. He'd never had an example to learn from. The bartender brought his drink. "Woman problems, pal?" he asked.
Michael looked around, noticing belatedly that he was the only customer in the place. It was later than he thought it was. "Something like that," he admitted.
"I could tell by that look. Everyone's trouble puts a different look on their face. After awhile, you learn to read that look. And yours screams "Woman Problems". What happened? She leave you for another man?"
Michael shook his head. "Not quite. She left another man for me."
"Then you got no problem. Unless the other guy wants her back."
"I doubt it," he said, picking up his drink.
"Then why the worried face?" the bartender asked. "I'd enjoy it."
"It's a complication I wasn't expecting," he admitted.
"You care about the lady?"
Michael smiled. "Yes. Quite a lot. Trouble is, I haven't known her very long. Only a few hours, as a matter of fact."
"Oh-ho. Where'd you meet her?"
"She's not that kind of lady," Michael assured the man. "She's a REAL lady. Down to her toes."
"Then take it as it comes, pal. Don't question it."
"Sounds like the advice someone else once gave me," Michael said.
"Then it was good advice. Take it. Want another drink?"
"No. Thank you." He placed the money for the drink on the counter, along with a twenty dollar tip. "And thanks for the advice."
"Anytime, pal."

###
 
Sleep was proving elusive, so Laura turned on the bedside light and opened the drawer beside the bed, hoping to find something to read. Instead, she found five passports, all with Michael's picture, and all with different names. "Douglas Quintane, Michael O'Leary, Paul Fabrini, Richard Blaine, and John Morrell," she read. Five passports, five different countries. Why were some of those names so familiar? she wondered. She had heard one or two of them somewhere- the sound of the key in the lock signaled Michael's return, and Laura froze as he entered, his gaze falling on the five passports in her hand.
"Laura-"
"You were telling me the truth, weren't you?"
"Yes. I was," he told her, sitting on the edge of the bed, taking the passports from her and returning them to the drawer.
"Where did you get those names?" she asked. He smiled, and went to the dresser to pick up a book. Bringing it back to her, he held it out. "The Movies of Humphrey Bogart?" she questioned, reading the title. Flipping through the book she came upon a page of roles that Bogart had played in his movies. "Douglas Quintane, Michael O'Leary -" She lifted surprised brown eyes to him. "You REALLY like Bogart's movies, don't you?"
He took the book and flipped through it before closing it again. "They were a way of escaping the harsh reality of life for a lonely child," he told her, putting the book on the bedside table.
"If your name's not really Michael," Laura said softly, 'Then what is it?"
"Pick one. I've probably used it," he told her. He reached out to touch her hair, then rose and moved away toward the table across the room. "Go back to sleep. I have some planning to do, and I'll try not to disturb you."
Laura watched him as he moved toward the closet and drew a roll of cardboard out. "It's too late for that," she told him, getting out of bed and going to watch as he pulled blueprints from the cardboard and unrolled them onto the table. "It's the bank."
He looked up at her. "Very good, Miss Holt. And after just one glance." He put his finger on a possible means of entrance, and picked up a pen to write something down.
"Not a good idea," she told him, then shrugged as he looked at her again. "There's a security alarm on that window. On all the doors and windows, as a matter of fact." She paused, realizing that she was giving him the information he needed to steal that painting.
Did she want to get in this deep? He was looking at her again, his blue eyes full of questions. Questions she knew he wouldn't ask unless she volunteered the answers. "There's only one way in that's not on the system." She pointed to the skylight in the center of the wing that would be used for the exhibit. "Here."
He examined the plans. "There's a twenty foot drop to the floor from that skylight," he said. Still, it was something he'd done before, and if Wilson's earlier comments about the security arrangements were true, then he could do this.
"Of course, you'll still have to find out when the guards make their rounds - and Wilson will probably tell you that tomorrow morning when you 'interview' him."
"Laura - you don't have to do this-"
She smiled. "I know. But you yourself said I needed to find some excitement. What better way than helping you steal that painting out from under Wilson's nose?"
He put his hands on her shoulders. "Is that why you're doing this? To get back at Wilson? Because if it is, then it's not enough. Once you throw in with me, Laura, you can't go back. Ever. Your only route will be to leave with me." Her brown eyes met his as he caressed her shoulders. "Could you really do that, Laura? Leave everything behind? Your friends, your life here. Oh, but I would love to show you Europe."
"Starting with that little shop in Bern?" she asked, a smile dimpling her cheeks.
"Starting with that shop in Bern," he agreed, smiling as well. "Are you in?"
Her smile widened. "What's the saying? In for a penny, in for a pound? I"m in - Harry."
He pulled her into his arms. "What say we seal our partnership?" he asked softly as his mouth met hers. Her response was even stronger than before, and he drew back, taking her hands in his and lifting them to his mouth. "Oh, Laura. If I were any less strong -"
"Don't be," she said. "This isn't about Wilson anymore, Harry. It's about us. You and me. About our being partners." She pulled her hands from his and began to slowly unfasten the belt that held the satin robe closed.
He found himself unable to breath as she removed the garment a little at a time until she stood naked before him. "Laura -"
"Shh," she said, running her hands up his chest to the top button on his shirt. "Just give in to it, Harry. Don't fight it. You wanted to do this since you walked into that apartment. Admit it. I could see it in your eyes."
When her hands moved to unfasten his pants, Harry grabbed her wrists and pulled her against him, feeling her skin against his. He lifted her into his arms and carried her to the bed as he had before, but this time, he stayed at her side.

###
 
Later, as they lay in the bed, drowsy and sated, Harry moved to sit up. "Let's finish our planning, shall we?"
Laura sat up. "I'd much rather stay here," she told him, trying to pull him back to the bed beside her.
He relented enough to give her a long kiss, then lifted his head. "Time for that later, love. After we get this planned out." He gave her a light slap on her sheet covered bottom. "Come on."
Laura stretched her arms, then got out of bed to retrieve the robe from the floor, tying it loosely around her this time, before joining him where he was bent over the plans again. "There are guard posts here, and here, and here . . . "

###
 
Laura was grateful that they didn't see anyone as they entered the apartment building the next morning. Wilson's car was gone from the garage, she noticed as Harry parked his rented Jaguar in the guest parking area. In the hallway, she stood watch while he used another hairpin to pick the lock on the apartment. "You're sure you'll be all right?" he asked as she started inside.
"I'll be fine," she assured him. "You go on to your meeting with Wilson. I'll get my things and meet you back at the hotel."
"You're certain about this?"
Laura nodded, then smiled at him. "I think I've already burned all the bridges I can."
"Not quite," he told her. "I'll see you later."
"Good luck on your 'interview', Michael," she said as he moved away.

###
 
As he entered the bank, Harry glanced around to make certain that Laura had been accurate in her placement of the security stations. From what he could see, she had been. The young woman who acted as secretary for the banks' junior vice presidents smiled in greeting as he approached her desk. "Mr. O'Leary. Mr. Jeffries is expecting you."
"Thank you." He took a deep breath before entering the small office, uncertain of what his reception might be. After all, the last time he had seen Wilson Jeffries, he had been holding Wilson's fiancee in his arms, kissing her thoroughly. "Am I still welcome?" he asked the man who was sitting behind the desk going over some paperwork.
Wilson glanced up. "Of course," he insisted, coming to his feet to extend his hand toward Harry. "I don't blame you for what happened. Laura - Laura's a bit free spirited. Tends to do what she feels instead of thinking about it first. I have the security information on the exhibit- but I do have to ask that you not publish any of it until AFTER the exhibit closes in a week."
"You have my word that I won't publish anything you tell me until it's done," Harry promised.
As he looked over the information sheet that Wilson handed him, he asked, "How is Laura this morning?"
"I don't know." When those blue eyes fixed on him, Wilson shrugged. "She stormed out last night right after you left, said we were finished."
"And you've no idea where she went?"
"Probably spent the night with one of her friends. She'll come back when she's cooled off a bit."
"Done this before, has she?"
"She's never stayed gone all night, no. She'll turn up."
"And you'd take her back?"
"I don't know. Maybe she's right. Maybe she and I ARE too different to make it work. And I guess maybe trying to change her isn't fair to her." He took a deep breath. "Are you ready to take a look at the exhibit itself?" he asked.
Harry smiled as he handed the papers back to Wilson. "I'm looking forward to it."

###
 
She was waiting for him when he entered the room. "Well? Did you find out anything?" she asked.
"He thinks you'll come back once you've cooled off," he told her.
"Then he's in for a surprise, isn't he? But I wasn't talking about that. The exhibit and the security set up."
"He showed me everything. This job is going to be almost TOO easy," he told her.
"Then it's a good one for me to get my feet wet on, right?"
Harry looked at her as he inspected the plans again. "What do you mean?"
"I'm going with you tonight."
"Laura-"
"I know that bank better than you do, remember?"
"And if you get caught, then Wilson's career will be ruined. Is that what you want?"
Laura slid her arms around his neck. "Then you'll just have to make certain that I DON'T get caught, Harry."
"You'll do everything I tell you to do with no question or argument?" he asked.
She pressed closer to him. "I thought I proved that last night," she whispered against his chest, reminding him of those hours in the bed behind her.
"I'm serious, Laura. This isn't a game. If we're caught, it will mean prison time. Are you ready to face that possibility?" She nodded, her eyes meeting his. "And what about your family? After we're done tonight, we have reservations for a flight to London. You can't just vanish - they'll send the police to look for you -"
"I can take care of that with one telephone call," she assured him. "I'll just tell Mother that I've decided to spend some time in Europe studying art. And that I'll call when I can."
"She won't object to your leaving Wilson?"
"She's be furious," she told him, then grinned. "But you know something? For the first time in ages, I don't care WHAT my mother thinks. She's always said I was like my father. Well, I'm going to prove to her that she's been right all along."
Harry watched her as she studied the plans. Was he making a mistake, bringing her into this? There had been few enough women that he trusted in his life - but for some reason he found himself ready to trust Laura. She needed his trust in her, as well, he realized. "The guard will make his rounds at 12:15," he told her. "His route will take him to the gallery first, then to the other side of the bank for fifteen minutes."
###

They'd gone over and over the plan until it was emblazoned into Laura's mind, so that she worked almost automatically as she watched Harry toss the grappling hook to the roof and climbed up with him behind her. They crossed the roof toward the skylight, then looked inside. The guard was just finishing his rounds of the gallery, and both were still and quiet as he turned off the light and closed the door behind him. Harry held out his hand, and Laura put the glass cutter into it, then got out the suction cups they would use to remove the section of glass.
Once the glass was removed, Harry secured the rope through the opening, then slid down first. Laura followed, and was caught by Harry to lower the last four foot of the way. He held her for the briefest second, and for Laura the world seemed a larger, far more exciting place than it had been just two days ago. She followed him to the wall where the paintings had been hung, and then watched again as he expertly cut the canvas from the frame, rolling it up to put it inside the cardboard tube that Laura opened for him. She capped the tube, then he indicated that they had to climb back up the rope to make their escape. Laura was grateful that she kept herself in good shape, because the climb was much easier than she'd expected, and once on the roof, she waited for Harry, helping him set the rope back on the edge of the roof so they could climb back down.
In the alley, they removed their hoods and Harry caught the gleam in Laura's eyes before taking her hand and leading her back to the Jag that was waiting a block away. In the car, she laughed delightedly. "It went off without a hitch!" she declared. "This is wonderful. I've never felt so alive, so -"
Harry smiled at her, taking her hand and lifting it to his lips as he negotiated a turn, before putting his hand back on the gear shift. "I know. I knew we'd make a good team the moment I saw you. Let's get back to the hotel and change for our flight, shall we?"
Laura was still on that adrenalin high that Harry remembered so well. "What time does the flight leave?"
"Two hours," he told her. "But we need to be at the airport in one." His smile told her he knew what she was thinking. "Once we get to London, Laura, we'll celebrate properly. I promise." He turned the car into the hotel parking area, and they entered through a service entrance, having left the same way. He had told the desk that he was not to be disturbed, that he was resting in his room.
Entering the hotel room, Laura turned immediately into Harry's arms, kissing him. "Sure we don't have time for a quick roll in the sack?" she asked.
Harry kissed her again. "Yes," he told her, but refused to let her drag him to the bed. "But a quick 'roll in the sack' as you put it, isn't going to do it, Laura." He took a deep breath. "We have to go. The guard will be returning to the gallery in another hour- and when he does, he'll put out the alert that the painting has been stolen."
Something in his earnest tone reached through the excitement, and Laura released her hold on his neck. "Then we'd better get going, hadn't we?" She picked up the clothes she was going to wear, pulling her black sweater over her head. Then she grinned. "But Harry, once we get to London, I'm not going to let you out of bed for at least a full day."
Harry returned the grin. "I had more like a week in mind," he confessed, laughing at her expression as he moved toward the bath. He would tell her about Daniel during the flight. She was going to love Daniel. As for Daniel himself, Harry had called his mentor while Laura was taking a shower earlier, to tell him about her.
While Daniel hadn't been exactly enthusiastic about Harry's announcement that he'd found himself a partner, he hadn't been totally down on the idea either. He knew that Daniel would be fair to Laura, give her a chance to prove herself. She had good instincts for the work. And the two of them had worked quite well together. He remembered once he'd worked with a young man who had been unable to follow the simplest of instruction. It had almost gotten them both caught.
Working with Laura had been different from working with anyone else. He'd had started feeling jaded by the dangers of his profession. But tonight, seeing things through her eyes, he had regained some of the enthusiasm he thought he'd lost. There was a tap on the door.
"Harry?"
"I'll be right out," he told her, shaking off the moment of introspection. She was standing beside her suitcase, her hair falling softly around her shoulders, smiling at him. "You have your passport?"
She held it up. "Right here."
"Good. Once we're in London, I'll see about getting you a couple more. That one is too easily traced." He called the desk. "This is Michael O'Leary in Room 124. I'm ready to check out - Thank you." He turned back to her. "The bell hop will be right up to get the cases."
"Aren't they going to ask questions about my being here when you didn't register me?"
"Won't matter." He pulled her into his arms as a knock came at the door. Sighing, he released her to let the bell hop into the room. "All of them," he told the young man.
Turning back to Laura, he held out his hand. "Ready, Laura?"
She smiled at him, placing her hand into his. "More than ready, Harry."
 
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