- Linked
Steele
- Part Nine
- Night was steadily descending over
the city of Los Angeles as Mildred drove her car through the
streets of a nearly deserted warehouse district. Beside her,
Laura Holt scanned the buildings with a deepening frown. "I
can't believe we lost him," she fretted.
"Well, we KNOW that the cab dropped him off a this corner,"
Mildred reminded her. "He MUST be in one of these buildings."
Laura looked around as Mildred stopped the car to wait for a
red light, then opened her door. Mildred looked around, alarmed.
"Miss Holt?"
"I think I saw a flash of light in that building over there,
Mildred. I'm going to search that one first, then work my way
out," she informed the woman.
"But- Miss Holt, there are at least ten vacant warehouses
in this area," Mildred pointed out. "There's no way
you can search them all by yourself-"
Laura bent down to the open window. "I'll be fine. I want
you to find a payphone and call Jarvis. Tell him where I am,
and that if I'm not back here in one hour, he needs to send in
the calvary."
Mildred watched Laura vanish toward the abandoned warehouse with
worried eyes, then jumped as a car came up behind her and the
driver, angry that she was sitting at a green light, blew his
horn. "Move it, lady!" he man shouted.
"I'm going, I'm going!" Mildred called back. "Just
hold your horses!"
**********
LAPD Sgt. Larry Middleton entered the warehouse with cautious
movements, staying alert to every sound the building made. He'd
seen Steele enter through the back - he KNEW the man was here.
The question was: why? Why would a famed private investigator
be in an abandoned, decaying warehouse, alone? He pulled his
gun, holding it toward the high ceiling, noting the catwalk above
him as he surveyed his surroundings. There was a sound to his
right, and Larry froze, waiting for it to come again, then turned
quickly in that direction, arms out, gun ready - He saw the flash
of gunpowder exploding before he heard the shot- and then he
was on the floor, his own gun being kicked away from his hand.
It was an effort to look up, into the triumphant face of the
man who stood over him. "Steele," he muttered, then
closed his eyes.
**********
Laura was about to enter the warehouse that she'd pointed out
to Mildred when she heard the shot. It had come from down the
street, she decided, and moved toward the building. She couldn't
see through the grimy windows, and the idea of entering through
the front door seemed a trifle foolhardy. So she went toward
the back of the building, searching for another point of entry,
one that wouldn't necessarily be watched.
The fire escape ladder was only two feet above her head, and
she stepped back to see that it would take her to a row of windows
on the third floor. Laura looked around the alleyway, finally
spotting an aluminum trash can. It was thankfully empty, and
Laura picked it up and carried it beneath the ladder, turning
it over quietly and getting on it to reach the ladder.
The window wasn't locked, and Laura easily pushed it up and open
to allow her entry into the building. She stayed close to the
wall as she realized that she was on a catwalk high above the
bottom level, with a view of most of the front, open half of
the building. Moving stealthily around the walk, Laura soon realized
that the platform was unstable. Rust had attacked many of the
iron joints, and she began to search for a way down. A lot of
good she would do Remington if she broke her neck in a fall.
As she reached the floor, her foot fell on something hard that
almost made her fall. Reaching down, she touched cold steele.
*A gun*, she realized, wondering what it was doing there. A noise
came from the back of the warehouse, and Laura's internal debate
over picking the weapon up or confronting the bogus Steele empty
handed was quickly settled as she opted for the first idea. Her
fingers closed over the small revolver, and she moved toward
the spot where she'd heard the noise, nearly tripping over something
lying on the floor as she did.
Kneeling carefully, Laura's hand moved over the form and when
she realized it was a body, her heart beat seemed loud in the
silence that surrounded her. There was no pulse, and when she
encountered wetness on the chest of the dead man, she realized
that he'd been shot- in all probability with the gun she was
now holding in her other hand. As she held her breath, she flicked
on the small pen light that she'd brought- and released her breath
with the discovery that the man lying on the floor, his life
blood spreading out in a dark stain on his shirt, WASN'T Remington.
Another sound- again from the back of the building, caused Laura
to turn off the light and rise slowly to her feet. Even if the
bogus Steele wasn't here, SOMEONE had killed the man. There was
a dim light in one of the offices to her right, visible only
because of her angle to the rooms. She had missed it before because
of crates blocking her view. Slowly, gun pointed upwards, ready,
Laura skirted the crates, approaching the room gingerly.
At last she leaned against the wall outside, then, counting slowly
to five, she turned and pointed her gun into the room, ready
for whatever she found there. Or, at least, she THOUGHT she was
ready.
Her brown eyes met startled blue in the dim glow of a low wattage
lamp in a corner. "Mr. Steele?" she said, then lowered
the gun to cross the small room. She knelt at his side, putting
the gun on the floor to remove the white cloth that served as
a gag before moving closer, intending to give him a kiss. "I
was afraid that he might have-"
He pulled away. "I think he still has that in his plans,"
he pointed out. "Are you alone?"
"I sent Mildred to call Jarvis, but they'll be going to
another warehouse down the street. We have to get out of here.
Let me untie your hands -" He moved forward slightly.
"He told me you were in jail-"
"I was. Mildred got me out. Who IS he?" she asked,
easily dispensing with the rope that bound his wrists, then moved
to the ropes at his ankles.
"Someone I knew as a lad in an orphanage in Dublin,"
he said. "Apparently he believes that I somehow outshone
him because I was the one who got taken by so-called relatives
-"
"All of this - two people dead because he was JEALOUS of
you?" she asked. "He MUST be crazy," Laura said,
starting to pick up the gun. "Can you walk? We have to get
out of here before he comes back."
"I think so," he said, then took the gun from her.
"I'll carry it," he said. As they moved toward the
door, he said, "I think we'd best use the front doors, don't
you?"
Laura nodded, moving ahead of him toward the front of the building.
"We'll have Jarvis search the building," she told him.
He paused, a hand to his head. "Sorry, Laura. Have to rest
- he's been using some kind of drug to keep me quiet - "
"A drug?" she questioned. "How did he make the
switch at Reed's house?"
"He was waiting for me when I went into the kitchen,"
he said, sitting on a crate. "The next thing I knew, I woke
up bound and gagged in the basement, watching him put my wallet
into his jacket. That's when he gave me the first injection -
and the next time I woke up I was here." He looked past
her. "There's a door through that room, I think. I can see
a light in there, might be coming from outside."
It was closer than the front of building, and Laura wanted to
get him out of there as soon as she could. There was no telling
what kind of drug he'd been subjected to. "Okay. Let's go."
The light WASN'T coming from outside, Laura realized. It wasn't
even really a room at all, but a freight elevator. She entered
the lift, then froze as she spotted Remington laying on a dirty
piece of canvas atop several crates. "What-?" Turning,
she saw the man she had "saved" was holding the gun
on her.
"I thought you'd never get here, Laura," he said.
"You expected me to come here?" she said.
"I knew you couldn't resist trying to find your Steele,"
he said, watching her move to stand beside the REAL Remington
Steele and feel for a pulse. She touched his hand, and felt his
fingers move slightly as a signal. "Oh, he's quite alive.
It wasn't time for him to die. Not yet, anyway."
"What did you give him?" Laura demanded of the man
holding the gun.
"Nothing lethal, I assure you. Didn't want to risk anything
showing up in an autopsy."
"How do you think you can POSSIBLY get away with this?!"
Laura asked, keeping her hand on Remington's.
"It's quite an ingenious plan, actually," he said.
"Once you were released from jail, you came down here to
confront your partner- the 'fake' Remington Steele. You and he
planned to frame me for Rachel's murder, taking me out of the
way so that you could put him in my place as a figure head and
run the agency yourself. But your partner decided to double-cross
you- decided he wanted to take my place, so he called me down
here, not expecting you to turn up. You shot him- after shooting
the police officer that was following me. And to cover your tracks,
you decided to set fire to the building-- only you got caught
in your own trap."
"And you, of course, escape."
"Well, of course. How else can I continue as Remington Steele?"
he asked.
"Mildred won't believe any of this," Laura warned him.
"I'll take care of Mildred, don't worry yourself about her."
Cold chills went down Laura's spine. He stepped back, pulling
the gate across the opening, then locking it with a padlock that
was already in place. "I have some final preparations to
take care of," he told her. "I'm sure you'll excuse
me- And I wouldn't try to escape, Laura. There's no way out."
Laura watched him disappear into the dark warehouse, then turned
as she heard Remington groan softly. "Laura?" he asked.
She returned to his side, bending over him, touching his face.
"I'm here, Mr. Steele," she said, saying a silent prayer
as his eyes opened at last. "I'm here." She gave him
a kiss, and this Mr. Steele didn't push her away. "Are you
all right?" she asked at last.
"A little groggy," he complained. "He said you'd
been arrested -"
"For Rachel's murder. He put the murder weapon and other
evidence in my car," she explained. "We have to get
out here, Mr. Steele."
"Not sure we can," he said. "Can't - think."
"He said something about having known you when you were
children-?"
Remington nodded. "At the orphanage. Dublin. Wasn't there
long- I was- between families. Vaguely recall another boy - quiet,
withdrawn. Jamie." He winced as though the effort to think
caused him pain. "Didn't like me very much."
"Because you were the one who got a family- even a foster
one- and he got left behind."
"Yes," Remington agreed softly. "Locked me in
a closet when it was time to go and offered to take my place
when they couldn't find me. I hadn't thought of him in years.
I try NOT to think about those days," he admitted. "Shunted
from place to place, different names," he murmured. "Never
really felt I belonged anywhere until I became Remington Steele."
Laura smiled at his words. This was something she wouldn't mind
pursuing. But they had work to do.
"How did he find you again?"
"He was already in Las Vegas when he -saw my picture in
a Los Angeles paper. I've no idea how he knew for sure it was
me- but he started following me around, learning everything he
could - " His voice was sounding stronger, Laura noted with
relief. Perhaps the drug had a limited effect. "He didn't
always look that much like me. Oh, there was a strong resemblance,
but, over time, he's had plastic surgery done to make himself
into my double."
"Except for the eyes," she pointed out.
"Yes. He said that was the one thing he couldn't change."
Slowly Remington sat up on the crates, leaning on his arms. "Ohh,"
he said, shaking his head.
"Dizzy?" Laura asked.
"A bit. Don't know what he's been giving me," Remington
said, looking at his arm, shuddering at the fresh needle marks,
"but whatever it is, it's got a hell of a kick."
"Do you think you can get out of here if I create a diversion?"
she asked.
"I won't go without you," he said. "Not sure I
can make it-"
"You have to try," Laura said. "Mildred and Jarvis
are probably in the area, looking for us. I told her an hour-
it's been almost that long."
"What are you going to do?" he asked.
**********
"Jamie!" Laura called out. "Where are you?"
"Patience, Laura," Jamie replied. "And the name
is Remington Steele," he reminded her.
"You'll NEVER be Remington Steele," she assured him.
"Oh, you might be able to steal his name, his life - but
you will never be the detective he is, never be able to fool
people for very long."
"Perhaps," he agreed, glancing behind her to the crates,
where the canvas was pulled over Remington. "But you won't
be around to see that day, I'm afraid. The time has come to put
an end to this little drama." He pointed the gun in his
hand toward the canvas and fired a single shot- and Laura made
made a mad dash past him into the warehouse. "Come back
here!" he called, turning his back on the elevator to pursue
her.
Once he was out of sight, Remington came from behind the crates
and looked at the bullet hole in the wadded up canvas, then moved
slowly and cautiously in the direction that Laura and Jamie had
disappeared. He knew she wanted him to get out of the warehouse,
but there was no way in bloody hell that he was going to leave
her alone with a cold blooded killer.
**********
Outside, Jarvis' car pulled up, accompanied by several other
police cars. "Any sign of her, Mildred?" he asked the
woman who was staring at a warehouse down the street.
"No, but I heard gunshots from down there, I think."
"Lieutenant!" one of the men called. "We found
Sgt. Middleton's car in the alley."
There was another shot, and Jarvis spoke into his radio. "All
units, move in. Search every warehouse in this area. Perry, Arnold,
Granger, with me."
**********
Laura tripped over the dead policeman's body, barely recovering
to scramble back up the steps to the catwalk. If she could get
back to the fire escape, she'd be home free. Jamie came up the
steps right behind her, too concerned with his pursuit to hear
the ominous groaning of rusted metal under more weight than it
could support.
Remington heard the noise and knew that unless Laura could reach
the catwalk against the wall, she'd fall when the catwalk gave
way. He propped himself against a crate as he looked around for
a possible means of rescuing her. His eyes fell on a cable attached
to a winch mechanism against the wall - attached to a pulley
on the ceiling. There was a hook on the end of the cable. His
head was pounding, and Remington shook it to clear it as he examined
the wheel that wound the cable. There had to be a manual release
somewhere, he told himself. Some way to lower and raise that
hook without electricity. He glanced up at the catwalk, where
Laura was struggling with Jamie over the gun.
Metal creaked again, and the catwalk dropped an inch, causing
Jamie to grab Laura and pull her against him. "You're too
heavy," she told him. "The metal's rusted-"
"Let her go, Jamie," Remington called from below. His
answer was a bullet that flew past him, striking the winch mechanism
and freeing the handle on the side. Remington grabbed it, hoping
that Jamie hadn't seen the hook move downward. He didn't, because
the catwalk slid another inch as the metal pinnings began to
separate.
Jamie released Laura to grab at the rail for support, and Laura
backed away, toward the spot where the cable would come down.
Another shudder, and the catwalk titled to a forty five degree
angle. "Jump, Laura!" Remington called out, allowing
the hook to lower within reach. He held his breath until he saw
her grab the hook and dangle above the floor as he started to
lower her.
"NO!!!" Jamie yelled, pointing his gun toward Laura,
who was now in plain sight and a clear target. "If I can't
get to you, I'll take her!" he said, his finger tightening-
only to drop the gun as the catwalk collapsed comepletely, sending
him hurtling to the floor below.
The room was suddenly filled with police, all with guns at ready
and flashlights in hand, and Remington found himself the center
of their attention. "I'd raise my hands," he told them,
"but that would leave Miss Holt in a bit of a predicament."
Jarvis and Mildred appeared through the crates, and Mildred looked
at him for a long minute before turning to Laura, who was still
hanging ten feet from the floor. "Oh, Miss Holt? Is he-?"
"He's the REAL Mr. Steele, Mildred," Laura assured
her, trying to maintain her grip on the metal hook. "Now
can he PLEASE get me down?"
The guns fell, and Jarvis went to the man laying on the floor,
half buried beneath the remains of the catwalk as a policeman
took Remington's place to lower the hook gently until Remington
was able to grasp Laura and finish lowering her feet to the floor.
Their eyes met in silent understanding, and then they turned
to join Jarvis and Mildred. "Is he-?" Laura asked.
Jarvis shook his head. "He's dead," he told her. "Probably
broke his neck when he fell. Perkins, call the coroner."
"Yes, sir, Lieutenant."
"I believe you'll find one of your men over there,"
Laura said, pointing to the bottom of the stairs that now led
nowhere.
Jarvis left them, to go and examine Middleton. Laura, looking
down at the face of the dead man, shivered, and felt Remington
put an arm around her. "I know," he said softly. "Gives
me a chill as well, seeing myself dead."
"He wasn't you," she reminded him.
"But he could have been," Remington answered. "There
but for the grace of God -"
Laura studied his face, then called, "Jarvis -?"
"Yes, Laura?" Now she was Laura again. When he'd believed
her guilty of murder, she'd been "Miss Holt."
"I'm taking Mr. Steele to the hospital. His kidnapper had
been using some kind of drug on him to keep him quiet -"
"Okay. I'll expect a report from both of you as soon as
possible," he told them.
Remington paused. "He's got my wallet, Detective,"
he said. "Do you mind?" Jarvis nodded to one of the
police officers nearby, and the man knelt to retrieve the wallet
from the man's pocket, handing it to Remington. Remington nodded
in appreciation, and put it into his own pocket before leaving
the warehouse between Laura and Mildred.
**********
Laura was sitting in Remington's hospital room later that day
when the young nurse wheeled him back in. "Here we are,
Mr. Steele."
"Hmm. Thank you, Marie."
"Do you need help getting into bed?" she asked, obviously
eager to please. "The doctor said you might experience some
residual lightheadness from the drug," she reminded him.
Remington grinned. "Well -"
"I'll be here to make sure he doesn't fall, nurse,"
Laura said pointedly, causing Remington's grin to widen even
more as the nurse turned toward the door, only to pause once.
"If you need me,- you know where the buzzer is."
"Uh, yes," Remington confirmed, picking up the wire
with the page button attached.
Laura helped him back into bed, tucking the covers in. "How
long will you have to stay in here?" she asked.
"Only for the night. The doctor wants to make sure the drug
is out of my system before he lets me go." He noticed the
circle of gold in her hand. "What's that?"
"Something I found when I was hanging up your jacket,"
she told him. "It was in the same pocket that your wallet
was in. It probably got caught in the wallet when the policeman
took it out of Jamie's pocket to return it." She held it
out to him. "I think you should see it."
Remington examined the gold circle. "It's a locket of some
kind." When she nodded without speaking, he opened it to
find himself looking at a faded little circular photo of a dark
haired man and woman. There was an inscription on the opposite
side. "M.K. and K.L." Remington looked up at her. "K.L.?"
He looked more closely at the man's features. "Kevin Landers?"
he asked. "But- if that is the Earl- then-she's-"
Laura took the locket and looked at the photo again. "Probably
the mother of his missing son. Maggie Kiernan."
"Kiernan?" Remington questioned. "But- his son's
name was Sean - " He closed his eyes, putting his head back.
It was a good thing he was laying down. "James. Jamie."
"Obviously, his name was Sean James Kiernan," Laura
said. Remington reached out for the locket again. "Are you
going to tell the Earl?"
"Tell him what, Laura?" he asked, his voice quiet and
filled with pain. "'Oh, by the way, we found your son, your
lordship, but it turns out he was a cold blooded killer and we
had to kill him to save ourselves?'" He closed the locket
and wrapped his fingers around it. "No. I can't do that
to him, Laura. It wouldn't serve any purpose except to bring
him more pain."
"I guess you're right," Laura agreed, touching his
hand, trying to smooth away the tension she felt there. "You
know, I haven't thanked you for saving my life this evening."
"All in the line of duty," he assured her in a solemn
voice, but his blue eyes held a teasing light- only slightly
dimmed by their recent discovery. "I DO know how you could
make it up to me, though."
"Oh? And what do you have in mind?" she asked, playing
his little game.
"Well, I'm going to need a place to stay until my apartment
is redone- the bedroom, anyway. And I thought, perhaps - you
might be willing to let me stay at your loft for the duration?"
Laura leaned forward to press a light kiss to his lips. "I'd
love to, Mr. Steele," she assured him- and saw the hopeful
expression on his face before she added, "But Mildred's
already taking care of all that. The apartment should be ready
for you to return by tomorrow afternoon."
"I see," he said ruefully. His hand slid to the back
of her neck, keeping her close. "Laura, promise me something."
"Yes, Mr. Steele?"
"Next time you're invited to a family gathering, make sure
I go along. Right now, I'd rather face a roomful of your relatives
than what I've gone through these last few days."
"I promise, Mr. Steele," Laura said, smiling as their
lips met once more.
The End
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by Nancy Eddy